Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Art in Lockdown. Struggling to find reason, sanity, existence. Trapped in a nightly studio with more time than work, these photographs emerged. All single exposures without photoshop or any digital image manipulation (apart from slight color corrections). I’ve been looking to find Francis Bacon’s secret, how did he come up with those distortions? Pretty sure not like this, although he could have, it’s an analoge method and the results are strikingly similar. This is a developing project, resulting in a serie of photographs and a video installation.
Studio photo for Zilverprint. Check www.zilverprints.com
"Silverhorse" printed in real gold Check www.zilverprints.com
Detail of "Silverhorse" printed in gold and silver foil. Check www.zilverprints.com
Zilverprinted studio portret of Paulina, check www.zilverprints.com
Zilverprint, check www.zilverprints.com
Zilverprint, check www.zilverprints.com
Zilverprint, check www.zilverprints.com
Zilverprint, check www.zilverprints.com
Zilverprint, check www.zilverprints.com
Studio photo for Zilverprint. Check www.zilverprints.com
Winning picture for the RAWcontest2020, themed "𝗧𝗵𝗲 𝗔𝘀𝘆𝗺𝗺𝗲𝘁𝗿𝘆 𝗼𝗳 𝗜𝗱𝗲𝗻𝘁𝗶𝘁𝘆"
Identity is mostly determined by our reference to others. Gender, skin color, sexual preference, nationality, they pull us constantly, trying to put us in a box. But that should not determine who we are. 'Character' is the only real defining factor.
Assumptions are made based on what we see. Is it a boy or a girl? Is this his arm, or hers? A first glance at this photo might give you some wrong assumptions. Look closer.
Abuse or Seduce? The lines can be blurry.
2020
Printed in silver and gold foil
Winning picture for the RAWcontest2020, themed "𝗧𝗵𝗲 𝗔𝘀𝘆𝗺𝗺𝗲𝘁𝗿𝘆 𝗼𝗳 𝗜𝗱𝗲𝗻𝘁𝗶𝘁𝘆"
Identity is mostly determined by our reference to others. Gender, skin color, sexual preference, nationality, they pull us constantly, trying to put us in a box. But that should not determine who we are. 'Character' is the only real defining factor.
Assumptions are made based on what we see. Is it a boy or a girl? Is this his arm, or hers? A first glance at this photo might give you some wrong assumptions. Look closer.
Abuse or Seduce? The lines can be blurry.
2020
Milk and cloud. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
Mandy and Burmese woman. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
Bags and back. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
Demonstrators, travellers. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
pan and paint. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
Jasmijn and Sopje. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
Belly and arm. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
Ice and iron. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
Shoe and Kiki. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
Elephant and tree. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
Feeding a fly, catching a mouse. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.
Milk and cloud. Part of the 2004 solo exhibition "PhoTwo", about the indifference of duality.